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Jean Auguste Dominique Ingres Portrait of Napoleon Bonaparte, The First Council. oil painting


Portrait of Napoleon Bonaparte, The First Council.
Painting ID::  10473
Jean Auguste Dominique Ingres
Portrait of Napoleon Bonaparte, The First Council.
1804 Oil on canvas. Musee des Beaux-Arts Liege, France

   
   
     

Jean Auguste Dominique Ingres Portrait of Mademoiselle Riviere. oil painting


Portrait of Mademoiselle Riviere.
Painting ID::  10474
Jean Auguste Dominique Ingres
Portrait of Mademoiselle Riviere.
1805. Oil on canvas. Louvre

   
   
     

Jean Auguste Dominique Ingres Portrait of Napoleon on the Imperial Throne oil painting


Portrait of Napoleon on the Imperial Throne
Painting ID::  10475
Jean Auguste Dominique Ingres
Portrait of Napoleon on the Imperial Throne
1806. Oil on canvas. Musee de l'Arm??e, Paris

   
   
     

Jean Auguste Dominique Ingres The Bather of Valpincon oil painting


The Bather of Valpincon
Painting ID::  10476
Jean Auguste Dominique Ingres
The Bather of Valpincon
1808. Oil on canvas. Louvre, Paris, France

   
   
     

Jean Auguste Dominique Ingres Jupiter and Thetis. oil painting


Jupiter and Thetis.
Painting ID::  10477
Jean Auguste Dominique Ingres
Jupiter and Thetis.
1811.Oil on canvas Museum Granet, Aix-en-Provence,France

   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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     | David Allan | Henri Edmond Cross | BOSSE, Abraham |


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